We were at a rest area on I-10, between Quartzsite and Tonopah. There was this weird bunch of lights up in the sky, so I snapped a photo:
A fine example of a thing out of context. Skeptics unite!
;-)
Friday, December 30, 2005
unusual funky object
Okay, someone asked me about the "UFO" non-sequitur in the last post.
We were at a rest area on I-10, between Quartzsite and Tonopah. There was this weird bunch of lights up in the sky, so I snapped a photo:
A fine example of a thing out of context. Skeptics unite!
;-)
We were at a rest area on I-10, between Quartzsite and Tonopah. There was this weird bunch of lights up in the sky, so I snapped a photo:
A fine example of a thing out of context. Skeptics unite!
;-)
Thursday, December 29, 2005
deserted & not-so-deserted ruins
Just had a quick roadtrip to Phoenix for xmas. An odd combination of ancient ruins, desert sand, and finding clean bathrooms in outlet centers in the middle of nowhere.
Along the 8, there were homes, miles apart in the pitch blackness, sad little things with a strand or two of icicle lights. They were almost like a cry for recognition. "Hey! We're stranded in the desert!"
For Christmas spirit, I thought how nice it would be to have lots of extra money, so we could just drop in on strangers and give them stuff to make them feel better. But knowing our luck, our first pick would be some kind of mafia safehouse. Guns would come out. "Get the hell in here and close the door." End of story.
There were real ruins, like Casa Grande. Yeah, it looks like one big building under a metal canopy, but if you care to look around, there are ruins knee-high or chest-high as far as the eye can see. Outlines of buildings, mounds, even one of those perplexing "ball fields" nobody can figure out.
There was a freaky UFO at a rest area. But it wasn't real.
Love those midnight truckstops. I wonder why so many of the trucks are left idling, stinking up the place, lights off, nobody home. If they're leaving the engines on just to run the air conditioner or heater, that's pretty lame. They can't all be in the shower at the same time.
There was a life-sucking couch. You know how those work.
There were whole malls being built just to annoy people. Mostly empty, especially for the holidays. At one such wasteland only the ceiling fan shop was open, and the big fountain outside was urping up a toilet-cleaner kind of ultra-blue water.
On one urban hike there were all kinds of loser lottery tickets on the ground outside an AM/PM. And what loser those people must have been, too. They just drop the tickets on the ground, thinking they will burst into flame or something, but it don't work that way, folks. Clean up after your frigging self.
At one point, there were swirls of cotton blowing across the road. Cotton fields everywhere (near Florence). I got an almanac for $3 at a discounted discount book shop, only to find that the #1 agricultural export from Arizona is ... cotton. I never would have guessed. I would have guessed cactus or something with spines on it, like artichokes.
Scattered thoughts from a tired brain.
Along the 8, there were homes, miles apart in the pitch blackness, sad little things with a strand or two of icicle lights. They were almost like a cry for recognition. "Hey! We're stranded in the desert!"
For Christmas spirit, I thought how nice it would be to have lots of extra money, so we could just drop in on strangers and give them stuff to make them feel better. But knowing our luck, our first pick would be some kind of mafia safehouse. Guns would come out. "Get the hell in here and close the door." End of story.
There were real ruins, like Casa Grande. Yeah, it looks like one big building under a metal canopy, but if you care to look around, there are ruins knee-high or chest-high as far as the eye can see. Outlines of buildings, mounds, even one of those perplexing "ball fields" nobody can figure out.
There was a freaky UFO at a rest area. But it wasn't real.
Love those midnight truckstops. I wonder why so many of the trucks are left idling, stinking up the place, lights off, nobody home. If they're leaving the engines on just to run the air conditioner or heater, that's pretty lame. They can't all be in the shower at the same time.
There was a life-sucking couch. You know how those work.
There were whole malls being built just to annoy people. Mostly empty, especially for the holidays. At one such wasteland only the ceiling fan shop was open, and the big fountain outside was urping up a toilet-cleaner kind of ultra-blue water.
On one urban hike there were all kinds of loser lottery tickets on the ground outside an AM/PM. And what loser those people must have been, too. They just drop the tickets on the ground, thinking they will burst into flame or something, but it don't work that way, folks. Clean up after your frigging self.
At one point, there were swirls of cotton blowing across the road. Cotton fields everywhere (near Florence). I got an almanac for $3 at a discounted discount book shop, only to find that the #1 agricultural export from Arizona is ... cotton. I never would have guessed. I would have guessed cactus or something with spines on it, like artichokes.
Scattered thoughts from a tired brain.
Friday, December 23, 2005
myths wearing thin
where have all the werewolves gone?
myths wearing thin, splitting the seams, they lost their bite when plastic toys came along.
banished by streetlights, their habitat -- the shadows -- fainter every year, then nowhere left to hide.
Awareness out of fashion, video smiles prevail, we have sterilized our fables, swept the beasts under carpets, left them to die on the cutting room floor.
===
published in Absinthe, by Aurealia Nelson (2002) (poem form)
myths wearing thin, splitting the seams, they lost their bite when plastic toys came along.
banished by streetlights, their habitat -- the shadows -- fainter every year, then nowhere left to hide.
Awareness out of fashion, video smiles prevail, we have sterilized our fables, swept the beasts under carpets, left them to die on the cutting room floor.
===
published in Absinthe, by Aurealia Nelson (2002) (poem form)
Tuesday, December 20, 2005
GOGI
Okay. That's a twist on GIGO (garbage in,
garbage out). In this case it's (goodies out, goodies in). Not sure
when I became an optimst. That just seems odd.
Some recent acceptances. Some were reported last time, but more details given here:
"Data Dust" (Story) accepted at The Fifth Di...
"The Thing in the Tub" (flash) accepted by FlashShot
"celestial highway: (poem) now up at Astropoetica:
http://www.astropoetica.com/Fall05/celestialhighway.html
"stolen bang" (poem) coming soon in The Magazine of Speculative Poetry
"book of years" (poem) published in FireWeed:
http://www.mindfirerenew.com/fireweeddec05/poemsdec05.html
"Telescope Eye" (flash) reprint posted on my blog: http://unfuture.blogspot.com/2005/12/telescope-eye.html
"Blank Spaces & other dangers" (story collection) coming in Jan 2006 from RageMachine Books
New graphics posted at http://scottVee.deviantArt.com - prints now available online.
Gotta keep busy. I have about 30 other poems and 8 stories submitted, so more good news should be trickling in.
Turned out that the whole writers group was sick, so we just called it off. This year's flu is the best!
I did find a good writers chat online, though. writerschatroom.com -
they have guests on Wednesday night and open writing chat on Sunday
night. Not open the rest of the week. Well worth visiting if you're
serious about writing.
Note from 2024: this was copied over from my AuthorsDen blog. Funny about the regular flu I mentioned. I'm writing this note from the other side of COVID-19.
the Network, act I
patterns on the ground
ground shifting with lights
lights from the air
air of the night
night weaves the Network
the Network unique
night casts the backdrop
for these city streets
===
For fun, this is the oldest poem of mine to ever get published.
Written in 1983 (age 17).
-- accepted by Midnight Wine (folded)
-- published in Starsong #7 (3/89)
ground shifting with lights
lights from the air
air of the night
night weaves the Network
the Network unique
night casts the backdrop
for these city streets
===
For fun, this is the oldest poem of mine to ever get published.
Written in 1983 (age 17).
-- accepted by Midnight Wine (folded)
-- published in Starsong #7 (3/89)
Sunday, December 18, 2005
Telescope Eye
Daniel Brayson swept the headset from his brow in a vaguely stunned, awkward motion, then he flipped his forehead jack closed and drummed his fingers on the console. What had he just witnessed?
It was vertigo, coming through the link, even though all the systems said they were ready. He had tried again and again to clear the strange sensation from the equipment. Now it was time to wonder if what he was sensing was truly outside the Eye, if it was inside the circuitry, or a figment of his mind.
He was testing the view through the new telescope base, the Carotene Alpha. The base was designed after the human eye, with thousands of hexagonal focusing plates at the cornea and over a hundred sensor stations arrayed within the retina. Scientists could set up their experiments at any station and get incredibly sharp images across most of the upper spectrum. The scope was the most ambitious ever designed, some four kilometers across. In theory, it might just be able to detect the absolute edge of spacetime.
Was this the feeling in his head? Was the cold, lifeless falling sensation coming from out there – was his mind registering the turmoil from which the Universe was formed?
He put the headset back on. He would ride the sick feeling and see what was at the other end. He cycled the systems back to standby. Processor banks accepted the incoming data and translated it through the neurocircuits. Daniel closed his eyes and plugged in. The data streamed into his optic nerves ... into his mind ...
The falling sensation was violent, deathlike. He was vageuly aware of his limbs thrashing in the energy cushion. Then he was past it, suddenly, as if he had been pursuing one of his own thoughts and it suddenly snapped into total clarity. He never let machinery be his master, and his willpower had prevailed yet again.
Beyond the vertigo, beyond anything he could rationalize, there was a strange greeting.
=====
excerpt from my unpublished novel "The Taking of the Eye" (2000),
excerpt published in Expressions newsletter (04/2001).
It was vertigo, coming through the link, even though all the systems said they were ready. He had tried again and again to clear the strange sensation from the equipment. Now it was time to wonder if what he was sensing was truly outside the Eye, if it was inside the circuitry, or a figment of his mind.
He was testing the view through the new telescope base, the Carotene Alpha. The base was designed after the human eye, with thousands of hexagonal focusing plates at the cornea and over a hundred sensor stations arrayed within the retina. Scientists could set up their experiments at any station and get incredibly sharp images across most of the upper spectrum. The scope was the most ambitious ever designed, some four kilometers across. In theory, it might just be able to detect the absolute edge of spacetime.
Was this the feeling in his head? Was the cold, lifeless falling sensation coming from out there – was his mind registering the turmoil from which the Universe was formed?
He put the headset back on. He would ride the sick feeling and see what was at the other end. He cycled the systems back to standby. Processor banks accepted the incoming data and translated it through the neurocircuits. Daniel closed his eyes and plugged in. The data streamed into his optic nerves ... into his mind ...
The falling sensation was violent, deathlike. He was vageuly aware of his limbs thrashing in the energy cushion. Then he was past it, suddenly, as if he had been pursuing one of his own thoughts and it suddenly snapped into total clarity. He never let machinery be his master, and his willpower had prevailed yet again.
Beyond the vertigo, beyond anything he could rationalize, there was a strange greeting.
=====
excerpt from my unpublished novel "The Taking of the Eye" (2000),
excerpt published in Expressions newsletter (04/2001).
Friday, December 16, 2005
Keeper of all things
Lok stood guard at the Tower of Ro-zan. No infidels or unworthy fools would get past him to see the Tapestry of the Ages. The secrets of life itself were contained in the subatomic weave of the Tapestry, and the secrets must be protected. Imagine if any fool on the streets could learn the transmutations!
He stood unmoving. He took his role seriously. If the life-signs along the Road tripped his alarms, he would swoop down and blast the area. None would survive.
Over the years, he turned to stone, as his own thread within the Tapestry played out. The world beyond the Valley had changed. The secrets were still there in the Tower, but their language had been lost.
When the infidels finally stormed the Valley in force, they found the Tower empty, except for some cobwebs up near the vaulted ceiling. Those cobwebs had once been so much more. The mob left, infuriated. They burned their witches on the way out.
New spiders began work on a new Tapestry, and the Ages wore on.
====
fresh from the brain stem 12/16/05
Image drawn/rendered by me, for AlphaDrive 001 (1997)
Thursday, December 15, 2005
into the golden
The Redding House was a marvel of golden hallways, warmly lit, each room showing collections of rarities from around the world. African swords in one room, Babylonian tablets in another. A wondrous private museum, a privilege to behold. Even the nooks along the hallways were full of goodies, from tiny perfume bottles to painted agate slabs behind laserglass, even a collection of hand bells from Santa Barbara's early years.
I was a friend of a friend of a rare coin dealer. I once delivered a package here, on my way through town. Dean Redding gave me a tour, proud of every relic in his vast domain, and he never forgot a face. When I got my invitation to the holiday party, I could hardly believe my eyes. The darn thing was a lovely old-fashioned card with gilded calligraphy, a reminder of how everything was finer, more detailed, more lively in centuries past.
At first the house was full of laughing guests, marveling at the wonders, buttering up the host. But I lost track of time. Every piece looked so damnably real. They had to be real. They almost spoke to me ... and another half hour would pass, and fewer voices could be heard, further away in the depths of the mansion. Soon the place was totally silent, and there was no longer a way out.
I look the glass elevator up, but Dean was nowhere to be found. There were dozens of bedrooms, each one a shining display which had never been used. Barbara, the wise old hostess with her bottomless martini, was also gone. There were only artifacts, pricelss books and comfortable reading rooms. Soft sunny lights came on as I moved from chamber to chamber, they shut off when a room was no longer occupied.
I was totally alone, but happy to be lost in this place. I could spend years here. Lifetimes. Every few rooms there was a wet bar or a little dining room, always well stocked. There was no reason to leave.
After a while, I took the glass elevator down, pausing at the ground floor. The door opened to a lonely silence. Before I could come up with a search plan, the doors eased shut and the elevator went down another level. I had heard folks chatting about wine cellars and a world-class collection of liqueurs. Seems like the party had been days ago, maybe weeks, but I had been surrounded by the warm glows of a million rooms, and had not slept. Maybe the party had retreated to some undiscovered set of rooms, but none of that mattered anymore.
Below ground, there were vaulted galleries stretching far down into the mountain beneath the mansion. That's where the dead things began to appear. There were displays of medeival armor, then funerary art, and actual bodies. From bones to mummies, to robed things from some distant corner of history, to people with their seeping blood still fresh and shiny. It was all part of the display. If you're going to collect things, might as well collect everything. The dead did not bother me. They were like any other artifacts in this wonderful place, except that they had once been alive.
I found a row of small theatres where ghosts and forgotten souls put on passion plays like nothing ever seen on earth. I found myself seated, enraptured, as whole lives flashed themselves before me and were gone. After one lively dead performance, I went to clap my hands and saw that they were trasparent. I was just another body in this bush of ghosts. I thumped the vapor of my chest, proud to be a part of the spectacle.
"Encore! Encore!" I cried to the spirits of the world.
Show me more.
---
recent dream 12/14/05
I was a friend of a friend of a rare coin dealer. I once delivered a package here, on my way through town. Dean Redding gave me a tour, proud of every relic in his vast domain, and he never forgot a face. When I got my invitation to the holiday party, I could hardly believe my eyes. The darn thing was a lovely old-fashioned card with gilded calligraphy, a reminder of how everything was finer, more detailed, more lively in centuries past.
At first the house was full of laughing guests, marveling at the wonders, buttering up the host. But I lost track of time. Every piece looked so damnably real. They had to be real. They almost spoke to me ... and another half hour would pass, and fewer voices could be heard, further away in the depths of the mansion. Soon the place was totally silent, and there was no longer a way out.
I look the glass elevator up, but Dean was nowhere to be found. There were dozens of bedrooms, each one a shining display which had never been used. Barbara, the wise old hostess with her bottomless martini, was also gone. There were only artifacts, pricelss books and comfortable reading rooms. Soft sunny lights came on as I moved from chamber to chamber, they shut off when a room was no longer occupied.
I was totally alone, but happy to be lost in this place. I could spend years here. Lifetimes. Every few rooms there was a wet bar or a little dining room, always well stocked. There was no reason to leave.
After a while, I took the glass elevator down, pausing at the ground floor. The door opened to a lonely silence. Before I could come up with a search plan, the doors eased shut and the elevator went down another level. I had heard folks chatting about wine cellars and a world-class collection of liqueurs. Seems like the party had been days ago, maybe weeks, but I had been surrounded by the warm glows of a million rooms, and had not slept. Maybe the party had retreated to some undiscovered set of rooms, but none of that mattered anymore.
Below ground, there were vaulted galleries stretching far down into the mountain beneath the mansion. That's where the dead things began to appear. There were displays of medeival armor, then funerary art, and actual bodies. From bones to mummies, to robed things from some distant corner of history, to people with their seeping blood still fresh and shiny. It was all part of the display. If you're going to collect things, might as well collect everything. The dead did not bother me. They were like any other artifacts in this wonderful place, except that they had once been alive.
I found a row of small theatres where ghosts and forgotten souls put on passion plays like nothing ever seen on earth. I found myself seated, enraptured, as whole lives flashed themselves before me and were gone. After one lively dead performance, I went to clap my hands and saw that they were trasparent. I was just another body in this bush of ghosts. I thumped the vapor of my chest, proud to be a part of the spectacle.
"Encore! Encore!" I cried to the spirits of the world.
Show me more.
---
recent dream 12/14/05
Sunday, December 11, 2005
chop chop
slice of the guillotine
tumbling away
hard-headed, thinking
one one-thousand
two one-thousand
free!
---
Published in Scavenger's NL #218 (4/02).
A cute one - hard to resist.
tumbling away
hard-headed, thinking
one one-thousand
two one-thousand
free!
---
Published in Scavenger's NL #218 (4/02).
A cute one - hard to resist.
Sunday, December 04, 2005
Chargers/Raiders?
I was at the Chargers/Raiders game today, of all places. Jon ended up with an extra ticket, so it was a family day. Of course, he's a Raiders fan, but the good kind. We just wanted to see a good game. Hard to believe how some people get so into it, even at home, a zillion bouncing signal miles from where the action is. It's always an experience, with that many people thundering and screaming, enough energy to level a building, and hardly any room to move their arms. Yeah, let's serve them beer! Chaos all around. I won't talk sports -- that's already been on the news and gone. The people were an outrageous variety. When they all got howling and whistling, my vision started to tremble; if they kept it up, a vertigo would begin ... but it never went too far. (This time.)
I thought the Raiders fans would be the problem, but I was mistaken. Two rows in front of us, some guys were waving the Mexican flag, having a good time. That's fine. Have a good time. It was a bit annoying because when they stood up and waved the thing, we couldn't see the game. A guy behind us yelled, "F--- Mexico, go back home!" And of course, a large chunk of the audience was latino. Put that on your list of this to NOT say in a crowd. So it almost turned into a fistfight. We tried to shuffle aside, out of the way, and watch the game. But they just kept going at it. The flag dudes started shouting about how they're gonna take over this f---ing country and we all better f---ing get used to it. We're trying to look around them, over them, at the GAME.
That was something. Immigration is a tricky issue. It would be nice if folks followed the rules, but we're just too busy to care who does what. In the end most people work too much and mind their own business, and society goes on. If we're looking at a future world full of gangstas and dickheads, then I'm not voting for it. I actually do vote for things, though it hurts my head to try and figure out what the hell the lawyers are saying. Mellow Folks of the World need to unite. We let ourselves get pushed around, and the dickheads often get their way, though we're still okay with it, as long as they agree to go be dickheads somewhere else.
Now, I might be dense, but if you call America "this f---ing country", you've got some kinda f---ing problem. Somewhere a ball is being thrown, and guys are crashing together in a heap. It's all so tiny and so huge, and nothing at all. And someday the sun will swell up and swallow the whole world. Take that, humanity fans! No overtime. Now that I think about it, a big ballgame is not a good place for a sci-fi thinkaholic to be. But they're a spectacle for one and all.
In this case, it was just a bunch of guys who seemed pretty decent on their own, getting infected by the mob. Giving into the mob is a tangible line, there's cheering, there's hootin' & hollerin', and then there's the guy with the big plastic lightning bolt head shaking his thunderbolt at the audience - I know he's inside the helmet screaming with his eyes ready to pop out...
At one point I was thinking how antiquated the cheerleaders were. But they're kinda cute to have around. Yeah, yeah. Then my sci-fi brain kicked in and thought, hey, you know, if they were 24 feet tall then everyone could see what they wanted to see. But us reasonable guys would be looking around the boobs, trying to see the GAME.
Then, crammed on the trolley with armpits in my face and nothing to hold onto, I jammed my hand against the ceiling like Spiderman to avoid falling into people when we went around corners. Someone asked if there was a raygun that could shrink us down till we got where we wanted to go. How odd that would be. But hell, they'd just squash us into a 3-foot-long bus powered by hamsters, while all the big people drive Hummers.
Which reminds me (journals don't have to be linear): On the trolley ride to the stadium, we spent a few minutes stopped at one station for no reason, and there we were, a hundred armpit buddies getting restless. Jon & I were talking about mass transit a little earlier, so now I pointed out, "We've got the MASS, now we just need the TRANSIT."
Thanks, Jon. Was a fun trip.
I thought the Raiders fans would be the problem, but I was mistaken. Two rows in front of us, some guys were waving the Mexican flag, having a good time. That's fine. Have a good time. It was a bit annoying because when they stood up and waved the thing, we couldn't see the game. A guy behind us yelled, "F--- Mexico, go back home!" And of course, a large chunk of the audience was latino. Put that on your list of this to NOT say in a crowd. So it almost turned into a fistfight. We tried to shuffle aside, out of the way, and watch the game. But they just kept going at it. The flag dudes started shouting about how they're gonna take over this f---ing country and we all better f---ing get used to it. We're trying to look around them, over them, at the GAME.
That was something. Immigration is a tricky issue. It would be nice if folks followed the rules, but we're just too busy to care who does what. In the end most people work too much and mind their own business, and society goes on. If we're looking at a future world full of gangstas and dickheads, then I'm not voting for it. I actually do vote for things, though it hurts my head to try and figure out what the hell the lawyers are saying. Mellow Folks of the World need to unite. We let ourselves get pushed around, and the dickheads often get their way, though we're still okay with it, as long as they agree to go be dickheads somewhere else.
Now, I might be dense, but if you call America "this f---ing country", you've got some kinda f---ing problem. Somewhere a ball is being thrown, and guys are crashing together in a heap. It's all so tiny and so huge, and nothing at all. And someday the sun will swell up and swallow the whole world. Take that, humanity fans! No overtime. Now that I think about it, a big ballgame is not a good place for a sci-fi thinkaholic to be. But they're a spectacle for one and all.
In this case, it was just a bunch of guys who seemed pretty decent on their own, getting infected by the mob. Giving into the mob is a tangible line, there's cheering, there's hootin' & hollerin', and then there's the guy with the big plastic lightning bolt head shaking his thunderbolt at the audience - I know he's inside the helmet screaming with his eyes ready to pop out...
At one point I was thinking how antiquated the cheerleaders were. But they're kinda cute to have around. Yeah, yeah. Then my sci-fi brain kicked in and thought, hey, you know, if they were 24 feet tall then everyone could see what they wanted to see. But us reasonable guys would be looking around the boobs, trying to see the GAME.
Then, crammed on the trolley with armpits in my face and nothing to hold onto, I jammed my hand against the ceiling like Spiderman to avoid falling into people when we went around corners. Someone asked if there was a raygun that could shrink us down till we got where we wanted to go. How odd that would be. But hell, they'd just squash us into a 3-foot-long bus powered by hamsters, while all the big people drive Hummers.
Which reminds me (journals don't have to be linear): On the trolley ride to the stadium, we spent a few minutes stopped at one station for no reason, and there we were, a hundred armpit buddies getting restless. Jon & I were talking about mass transit a little earlier, so now I pointed out, "We've got the MASS, now we just need the TRANSIT."
Thanks, Jon. Was a fun trip.
dreams from 93
Had a dream that there was a submarine at the pier. I climbed
aboard -- always wanted to see the insides of one of those
claustrophobic things! -- and the crew were all people I knew,
except that I didn't recognize any of them. Their crew uniform
was a tattered t-shirt with a big "We are the Enemy" logo on the
back.
It was all downhill from there.
Had a dream that I was in some kind of accident, and a steel
rod went through me. It was about an inch in diameter. It went
in just below my ribcage, and came out just under my hip (i.e. the
butt area). The doctors couldn't figure out why I was still
alive, but since I had no insurance, they wouldn't take out the
rod: they just sawed it down a bit and let me go.
The dream went on for hours, while I learned to walk with this
thing sticking out. Sleeping was probably the worst time, because
I kept stretching and tearing and bleeding. No matter how I
tried, I could not walk naturally: I had a stiff, bent-over gait
which kept me staring at the ground all the time.
Toward the end, I learned to deal with it. I ended up playing
basketball with some guys on a dirty street corner, but it tore up
my insides, and I bled to death.
-- from my journal 6/3/93
aboard -- always wanted to see the insides of one of those
claustrophobic things! -- and the crew were all people I knew,
except that I didn't recognize any of them. Their crew uniform
was a tattered t-shirt with a big "We are the Enemy" logo on the
back.
It was all downhill from there.
Had a dream that I was in some kind of accident, and a steel
rod went through me. It was about an inch in diameter. It went
in just below my ribcage, and came out just under my hip (i.e. the
butt area). The doctors couldn't figure out why I was still
alive, but since I had no insurance, they wouldn't take out the
rod: they just sawed it down a bit and let me go.
The dream went on for hours, while I learned to walk with this
thing sticking out. Sleeping was probably the worst time, because
I kept stretching and tearing and bleeding. No matter how I
tried, I could not walk naturally: I had a stiff, bent-over gait
which kept me staring at the ground all the time.
Toward the end, I learned to deal with it. I ended up playing
basketball with some guys on a dirty street corner, but it tore up
my insides, and I bled to death.
-- from my journal 6/3/93
Gummy, Velveeta, Mr. Gates
I think we need more Gummy food. We have the technology to Gummy just about anything. I want a Gummy Eiffel Tower or Gummy Ghostbusters or Gummy Cheap Toupee. Hmm. Maybe not.
This was a brain-damage day when it comes to pieces of songs occupying my head. First, there was "Nikita" by Elton John, except the in-head version used "Velveeta" instead. "Velveeta, you'll never know ..." I don't know if this was an actual Weird Al song or just scrambled neuron mash. The other song of the day started (believe it or not!) "You're a mean one, Mr. Gates ..." One of the spoken lines was something like, "You're a low-density 5 1/4-inch floppy disk with bad sectors galore."
--- from my journal 1/22/99
This was a brain-damage day when it comes to pieces of songs occupying my head. First, there was "Nikita" by Elton John, except the in-head version used "Velveeta" instead. "Velveeta, you'll never know ..." I don't know if this was an actual Weird Al song or just scrambled neuron mash. The other song of the day started (believe it or not!) "You're a mean one, Mr. Gates ..." One of the spoken lines was something like, "You're a low-density 5 1/4-inch floppy disk with bad sectors galore."
--- from my journal 1/22/99
Thursday, December 01, 2005
phonebook freaks
Those silly phonebook names
from Amy Admire
to Ziggy Zykowski --
you flip through looking
for a gritty name
for your private eye,
but all you find are freaks
and comic relief.
Then you can't find the number
of that wacky writer
who gave you the idea
in the first place.
Oh well, back to lonely
Max Something-or-Other --
maybe he'll tell you
his real name if you
listen hard enough.
---
accepted by San Diego Writers Monthly (2002).
A gag about naming fictional characters. Some say to look in the phone book, but there are some weirder-than-fiction names in there!
from Amy Admire
to Ziggy Zykowski --
you flip through looking
for a gritty name
for your private eye,
but all you find are freaks
and comic relief.
Then you can't find the number
of that wacky writer
who gave you the idea
in the first place.
Oh well, back to lonely
Max Something-or-Other --
maybe he'll tell you
his real name if you
listen hard enough.
---
accepted by San Diego Writers Monthly (2002).
A gag about naming fictional characters. Some say to look in the phone book, but there are some weirder-than-fiction names in there!
stress diet
zero the perfect weight, she diets and frets and dances her days in denial, anxiety;
from size eleven down to the head of a pin; a paradox:
an anemic angel calling out for the glory day when she turns sideways & is never seen again.
--
published in "KatBox #8: Setting Worlds" broadside by s.c.virtes
from size eleven down to the head of a pin; a paradox:
an anemic angel calling out for the glory day when she turns sideways & is never seen again.
--
published in "KatBox #8: Setting Worlds" broadside by s.c.virtes
Wednesday, November 30, 2005
flea market
Down at the flea market in the snow, all the vendors were selling body parts. I was pleasantly surprised. I'd always wanted a Frankenstein monster of my own. And they were cheap, too! The heads were only a buck and a quarter.
I was a bit curious as to where all the merchandise was coming from, but the vendors were all grey-skinned grumps with intense dirt under their fingernails, so I didn't ask. The things were only slightly rotted; some had been shellacked to keep the freshness in.
I was amazed by the miscellaneous table, where you could get small unexplainable pieces ... two for a quarter. There were bits of brains, limbs, internal stuff, and things that simply defied location. This vendor was proud, communicative, bragging about the Army chopper that crashed in his backyard the week before.
I had plenty of cash, so I stocked up and tried to innovate. I knew that building just a man wasn't good enough for me. I wanted a freaky Hindu god. So I bought mostly blue-skinned parts and lugged them home.
I sewed and wired and charted and stitched and toiled, while the body parts piled into form. At the end I thought I'd be cute and buy him a lotus flower. That must have been my mistake, because at the final stimulus my pet god woke up and started to insult me.
It complained that it had been perfectly happy in Limbo, that its arm was asleep ... all kinds of minor details.
So I bitched in return that I'd spent so damned much pocket money building him.
He tossed me a couple of useless Indian coins and evaporated in a puddle of sparks.
I went back to the flea market, but it wasn't there.
--- end ---
Recorded (audio) on "Protothings" tape. 1988.
Published in Museweek (10/95)
Published in Expressions Newsletter (10/2001)
I was a bit curious as to where all the merchandise was coming from, but the vendors were all grey-skinned grumps with intense dirt under their fingernails, so I didn't ask. The things were only slightly rotted; some had been shellacked to keep the freshness in.
I was amazed by the miscellaneous table, where you could get small unexplainable pieces ... two for a quarter. There were bits of brains, limbs, internal stuff, and things that simply defied location. This vendor was proud, communicative, bragging about the Army chopper that crashed in his backyard the week before.
I had plenty of cash, so I stocked up and tried to innovate. I knew that building just a man wasn't good enough for me. I wanted a freaky Hindu god. So I bought mostly blue-skinned parts and lugged them home.
I sewed and wired and charted and stitched and toiled, while the body parts piled into form. At the end I thought I'd be cute and buy him a lotus flower. That must have been my mistake, because at the final stimulus my pet god woke up and started to insult me.
It complained that it had been perfectly happy in Limbo, that its arm was asleep ... all kinds of minor details.
So I bitched in return that I'd spent so damned much pocket money building him.
He tossed me a couple of useless Indian coins and evaporated in a puddle of sparks.
I went back to the flea market, but it wasn't there.
--- end ---
Recorded (audio) on "Protothings" tape. 1988.
Published in Museweek (10/95)
Published in Expressions Newsletter (10/2001)
broken afternoon
broken toys of somewhere afternoon
lost soul freeway under burning moon
downtime party plays a mournful tune
forget the time,
the place reruns
staring into space
you don't have any answers
you don't have endless time
you stagger at the challenge
running the line
frozen tundra people block the way
dreams pass like clouds none can say
the work goes on in shades of gray
forget the place,
reach out for time
count every dime.
what if this has all been a test?
what if we were never here at all?
====
unpublished poem (1996)
lost soul freeway under burning moon
downtime party plays a mournful tune
forget the time,
the place reruns
staring into space
you don't have any answers
you don't have endless time
you stagger at the challenge
running the line
frozen tundra people block the way
dreams pass like clouds none can say
the work goes on in shades of gray
forget the place,
reach out for time
count every dime.
what if this has all been a test?
what if we were never here at all?
====
unpublished poem (1996)
Monday, November 28, 2005
Touch of midnight (audio)
I posted an audio version of my flash fiction "Touch of Midnight".
You can listen to it here.
It is read by Brian Meredith in a classy deep voice. Very creepy.
Enjoy!
You can listen to it here.
It is read by Brian Meredith in a classy deep voice. Very creepy.
Enjoy!
Saturday, November 26, 2005
puppet hour
midnight
when dolls & puppets
wake up roll out
& hit the streets
in paper taxis
12:01
when newspapers
scatter & tumble
empty and alone
on sidewalks with no names
====
unpublished (2002)
when dolls & puppets
wake up roll out
& hit the streets
in paper taxis
12:01
when newspapers
scatter & tumble
empty and alone
on sidewalks with no names
====
unpublished (2002)
stick people
stickpeople
weather the winter
crouched down
over hot coals
in a notebook near you
====
Published in Expressions newsletter (2003)
weather the winter
crouched down
over hot coals
in a notebook near you
====
Published in Expressions newsletter (2003)
flashing
intelligence
mere skipping stones
their splashing
their light and times
so eternal
====
poem fragment (2002)
mere skipping stones
their splashing
their light and times
so eternal
====
poem fragment (2002)
Interlude with Nails
Baker Travis is a modern man, who spent his twenties looking for easy money: he answered an ad one day, modeling his body for postage stamps. He showed great promise with dramatic poses, and was soon promoted to the special effects department, which was working on a set of stamps dealing with occupational safety. He was proud to pose for the series, especially the engraving of the man stepping on a nail. The way he describes the project, "Sure it hurts, but I'm a specialist."
So every day he goes to work, takes off his shoes and socks, looks at the nails on the ground, picks the one that he feels would best express the theme, and puts his weight on it. It slides into his flesh, and he screams and sweats, but his assistant holds him up while the artist crawls around with his pencil and notebook and sketches furiously. Every now and then he calls for a mop.
Like so many people, Baker hurts himself for money. All his friends hurt themselves for money, working too long and too hard for too little. They all had back pains and dislocated shoulders, but Baker went one step further.
"The nice thing," he jokes, "is that when I'm fed up working, I can say I stepped on some nails at work, and get worker's comp." He figures he only has to work for a few months out of the year. He has a lovely house, and enjoys his pool, possibly because the cold water helps to numb his wounds.
"That's living, though," he says. "Some people bend over their gardens until they can't stand up straight, some people race cars until they get pulped on a wall. I bleed in my pool. It's a personal thing."
He knows everything in life is temporary, he is no fool. He is always planning ahead. "Next year, I'll get this cool job being smashed on the head with a mallet."
A sensible man, Baker Travis. He chased the American dream of money money money! and came up a winner. He has more cash than he could ever hope to spend. He laughs at the poor, he preaches about opportunity, he keeps his wheelchair clean.
He winks at his audience. "No pain, no gain!"
He's off to the hospital again.
=====
Unpublished flash fiction, written 8/5/91
So every day he goes to work, takes off his shoes and socks, looks at the nails on the ground, picks the one that he feels would best express the theme, and puts his weight on it. It slides into his flesh, and he screams and sweats, but his assistant holds him up while the artist crawls around with his pencil and notebook and sketches furiously. Every now and then he calls for a mop.
Like so many people, Baker hurts himself for money. All his friends hurt themselves for money, working too long and too hard for too little. They all had back pains and dislocated shoulders, but Baker went one step further.
"The nice thing," he jokes, "is that when I'm fed up working, I can say I stepped on some nails at work, and get worker's comp." He figures he only has to work for a few months out of the year. He has a lovely house, and enjoys his pool, possibly because the cold water helps to numb his wounds.
"That's living, though," he says. "Some people bend over their gardens until they can't stand up straight, some people race cars until they get pulped on a wall. I bleed in my pool. It's a personal thing."
He knows everything in life is temporary, he is no fool. He is always planning ahead. "Next year, I'll get this cool job being smashed on the head with a mallet."
A sensible man, Baker Travis. He chased the American dream of money money money! and came up a winner. He has more cash than he could ever hope to spend. He laughs at the poor, he preaches about opportunity, he keeps his wheelchair clean.
He winks at his audience. "No pain, no gain!"
He's off to the hospital again.
=====
Unpublished flash fiction, written 8/5/91
Baumann's Hands
Under rows of dripping stones and the clap and patter of rain, you seek Baumann's crypt and the wisdom buried with him. Torch raised, you try to keep back the heavy shadows.
Wait! A scrambling sound. Like nothing you’ve ever heard before.
“It can't be true,” you whisper. “The guardian is real?”
His two dead hands, sewn together with catgut and a terrible curse … they slither just out of sight. Then they leap! from the darkest hole in the night. The torch, doused in blood, sputters on the floor.
===
Published in FlashShot #115 (2003)
Wait! A scrambling sound. Like nothing you’ve ever heard before.
“It can't be true,” you whisper. “The guardian is real?”
His two dead hands, sewn together with catgut and a terrible curse … they slither just out of sight. Then they leap! from the darkest hole in the night. The torch, doused in blood, sputters on the floor.
===
Published in FlashShot #115 (2003)
Thursday, November 24, 2005
oil cap girl
She had a face like Geddy Lee. Which looks fine on Geddy Lee, but was a bit of a shock when the lady with the long blonde wavy hair turned around and grabbed my filler cap.
That's an oil filler cap. You know, when you change the oil, forget to put it back on, hear it rattling across the road when making a sharp turn, can't find it when you scour the bushes on the way home, then find yourself standing in line at the auto parts store feeling like an idiot. While I was waiting, I saw a big sign near some mopeds about how there is no "rollback period" when buying a motor vehicle, i.e. you can't get your money back just because you change your mind.
Boring. I grabbed some Chex Mix from the impulse-buy rack. The guy in front of me bought a tailpipe about twelve feet long as was now dragging it out the door. I was zoning out, looking at that pretty blonde hair. She turned around, and there we were.
My turn. Just my luck, I didn't have enough cash for the oil cap and the snack, so I asked her to take the snack off the bill.
"Sorry," she said. "There's no rollback period on junk food."
"Well, there oughta be."
"Well, there ain't."
"It's not like I ate it, spit it up and then asked for a refund. It's factory sealed."
"I don't need this trouble. Just put it on a credit card."
"My cards are like vampires, draining me dry."
"Well you have to pay for what you bought."
"But I haven't actually bought it yet."
"Yes you have," she said. She was enjoying this for some reason. And there was nobody on line being bothered by our little spat. Apparently tormenting customers is what she did on her break, to make up for the customers tormenting her between breaks.
"Okay then." I slapped the bag of snacks onto the floor. "Now the ten-second rule oughta apply."
"That's a five-second rule, and I don't think so."
"No?"
"That rule only applies to hamburgers and candy."
Ever notice how women make up random rules and then stick by them like they were gospel truth? I won't go into that here.
"I have an idea." I let a dramatic pause build, just to be dramatic. "Just ignore it. Some customer will put it back on the rack."
She smiled. "Okay," she said. And with one little electronic blip it was taken care of.
I really wanted to know why that was okay, but didn't want to press my luck. I was saving twenty bucks by buying a Mexican knockoff part instead of the manufacturer part I'd have to special order, and saving all those calories from those yummy little rice squares & peanuts I didn't get to eat. I got to see some silky blonde hair and have a nonsense non-argument with nobody special.
Life is odd.
========
mostly real life - 11/23/05
That's an oil filler cap. You know, when you change the oil, forget to put it back on, hear it rattling across the road when making a sharp turn, can't find it when you scour the bushes on the way home, then find yourself standing in line at the auto parts store feeling like an idiot. While I was waiting, I saw a big sign near some mopeds about how there is no "rollback period" when buying a motor vehicle, i.e. you can't get your money back just because you change your mind.
Boring. I grabbed some Chex Mix from the impulse-buy rack. The guy in front of me bought a tailpipe about twelve feet long as was now dragging it out the door. I was zoning out, looking at that pretty blonde hair. She turned around, and there we were.
My turn. Just my luck, I didn't have enough cash for the oil cap and the snack, so I asked her to take the snack off the bill.
"Sorry," she said. "There's no rollback period on junk food."
"Well, there oughta be."
"Well, there ain't."
"It's not like I ate it, spit it up and then asked for a refund. It's factory sealed."
"I don't need this trouble. Just put it on a credit card."
"My cards are like vampires, draining me dry."
"Well you have to pay for what you bought."
"But I haven't actually bought it yet."
"Yes you have," she said. She was enjoying this for some reason. And there was nobody on line being bothered by our little spat. Apparently tormenting customers is what she did on her break, to make up for the customers tormenting her between breaks.
"Okay then." I slapped the bag of snacks onto the floor. "Now the ten-second rule oughta apply."
"That's a five-second rule, and I don't think so."
"No?"
"That rule only applies to hamburgers and candy."
Ever notice how women make up random rules and then stick by them like they were gospel truth? I won't go into that here.
"I have an idea." I let a dramatic pause build, just to be dramatic. "Just ignore it. Some customer will put it back on the rack."
She smiled. "Okay," she said. And with one little electronic blip it was taken care of.
I really wanted to know why that was okay, but didn't want to press my luck. I was saving twenty bucks by buying a Mexican knockoff part instead of the manufacturer part I'd have to special order, and saving all those calories from those yummy little rice squares & peanuts I didn't get to eat. I got to see some silky blonde hair and have a nonsense non-argument with nobody special.
Life is odd.
========
mostly real life - 11/23/05
Wednesday, November 23, 2005
green eyes
Thursday, May 19, 2005 - Green Eyes
I happen to believe in an afterlife, and I have every right to do so, having seen things which would not have been possible otherwise. Consider the time when my first black cat was struck by a car.
I have always prided myself in the fact that I've had a good cat by my side at all times. My cats were, as a rule, incessantly affectionate stand-up comics with minor weight problems. Black cats have always been my favorite sort, and this taste had earned me no small amount of half-hearted peer criticism over the years. It has been said that I'm a creepy enough fellow without having a familiar constantly skulking around my feet.
The ill-fated creature in question was a lovely twenty-odd pound beast named, of all paradoxical things, Baby. I remember well how she would jump up on my bed at night and curl up in the single most awkward place imagineable at the time: purring, preening and snoring.
When she was killed in the street, I was overcome with a surprising depth of grief. Yet it was an accident, and I could not let it ruin my life, so I took her down to her favorite beach and buried her in a remote spot, then continued my life as if nothing had happened.
The very night she died, however, something most unusual occurred. I found myself awake, even though there seemed no cause for my waking. It was as if some sound had aroused me but was no longer audible, or perhaps the strange, incredibly faint odor in the room has been the waking agent. Baby was curled up against my leg, looking at me as if her sleep had been disturbed as well.
I thought nothing of it until the next morning, when I realized the impossibility of such a thing. Either the dead cat had not been mine, or the living cat was not mine, or the entire ordeal had been a dream. The problem nagged me throughout the day, but when night came she appeared again.
This time I had not yet fallen asleep, I don't think, though such things are notoriously hard to judge. Whatever my mental state at the time, I rubbed her stomach, evoking her trademark roll-and-stretch. There was nothing wrong with her except that I knew she was dead. The odor was there again, weak if not wholly imaginary, but I could make nothing of it until a few more nights had passed. Each night the stench was stronger and the cat less active, as if her vitality was evaporating to create the scent. Eventually I realized that it was the horrible reek of bad meatthat assaulted my nose, and a displeased spectre which shared my bed.
By the ninth evening of these increasingly unpleasant visits, she lay against me uttelry motionless, gazing absently at me with her glazed white eyes. I could not pet her, and I certainly didn't turn on the light for fear that I would find a ragged maggoty corpse curled up against my leg.
My sleep cycles had been shattered by these unsettling events, and I began to feel sick and desperate throughout the day. I knew that something had to be done to rid myself of this odorous nuisance, and my fatigue told me what I had to do.
That night I picked up a shovel and hiked down to the beach. There in a secluded gully, I dug up my companion's mossy remains and dropped them into a plastic shopping bag. I walked all the way back through town with my stiff buredn, avoiding people most earnestly.
Once I got home, I dug a small grave in my backyard under an overcast pinkish sky and deposited the bag and its grisly contents within. I said a few words to the dirt from my heart as I packed it in, then, moving in some mechanical way which suggested sleepwalking, I returned to my bed. Cathartic with the sense of having done right, I proceeded to track down and capture all the sleep I had lost.
Some while later, I woke to the scratchy feel of a cat's tongue on my arm. There were no terrible scents in the air, just a comforting, earthy feeling. I grabbed my overweight, departing friend and played silly cat-games until she faded and could not be touched anymore. The spot of air where she had been purred me to sleep.
She never came to me again after that, and I can't help but think that she had wandered off to find contentment somewhere. Oddly enough, later that same month, an exact duplicate appeared on my doorstep, this one only a few weeks old. The same eyes, the same tail, the same silly habits and personality. The same fate, too, as it turned out, but that's a different story.
-- end --
Published in 1130 Club #4/5 (12/86).
Published in Year of the Twist (6/01).
Posted on writing.com (1/02).
I happen to believe in an afterlife, and I have every right to do so, having seen things which would not have been possible otherwise. Consider the time when my first black cat was struck by a car.
I have always prided myself in the fact that I've had a good cat by my side at all times. My cats were, as a rule, incessantly affectionate stand-up comics with minor weight problems. Black cats have always been my favorite sort, and this taste had earned me no small amount of half-hearted peer criticism over the years. It has been said that I'm a creepy enough fellow without having a familiar constantly skulking around my feet.
The ill-fated creature in question was a lovely twenty-odd pound beast named, of all paradoxical things, Baby. I remember well how she would jump up on my bed at night and curl up in the single most awkward place imagineable at the time: purring, preening and snoring.
When she was killed in the street, I was overcome with a surprising depth of grief. Yet it was an accident, and I could not let it ruin my life, so I took her down to her favorite beach and buried her in a remote spot, then continued my life as if nothing had happened.
The very night she died, however, something most unusual occurred. I found myself awake, even though there seemed no cause for my waking. It was as if some sound had aroused me but was no longer audible, or perhaps the strange, incredibly faint odor in the room has been the waking agent. Baby was curled up against my leg, looking at me as if her sleep had been disturbed as well.
I thought nothing of it until the next morning, when I realized the impossibility of such a thing. Either the dead cat had not been mine, or the living cat was not mine, or the entire ordeal had been a dream. The problem nagged me throughout the day, but when night came she appeared again.
This time I had not yet fallen asleep, I don't think, though such things are notoriously hard to judge. Whatever my mental state at the time, I rubbed her stomach, evoking her trademark roll-and-stretch. There was nothing wrong with her except that I knew she was dead. The odor was there again, weak if not wholly imaginary, but I could make nothing of it until a few more nights had passed. Each night the stench was stronger and the cat less active, as if her vitality was evaporating to create the scent. Eventually I realized that it was the horrible reek of bad meatthat assaulted my nose, and a displeased spectre which shared my bed.
By the ninth evening of these increasingly unpleasant visits, she lay against me uttelry motionless, gazing absently at me with her glazed white eyes. I could not pet her, and I certainly didn't turn on the light for fear that I would find a ragged maggoty corpse curled up against my leg.
My sleep cycles had been shattered by these unsettling events, and I began to feel sick and desperate throughout the day. I knew that something had to be done to rid myself of this odorous nuisance, and my fatigue told me what I had to do.
That night I picked up a shovel and hiked down to the beach. There in a secluded gully, I dug up my companion's mossy remains and dropped them into a plastic shopping bag. I walked all the way back through town with my stiff buredn, avoiding people most earnestly.
Once I got home, I dug a small grave in my backyard under an overcast pinkish sky and deposited the bag and its grisly contents within. I said a few words to the dirt from my heart as I packed it in, then, moving in some mechanical way which suggested sleepwalking, I returned to my bed. Cathartic with the sense of having done right, I proceeded to track down and capture all the sleep I had lost.
Some while later, I woke to the scratchy feel of a cat's tongue on my arm. There were no terrible scents in the air, just a comforting, earthy feeling. I grabbed my overweight, departing friend and played silly cat-games until she faded and could not be touched anymore. The spot of air where she had been purred me to sleep.
She never came to me again after that, and I can't help but think that she had wandered off to find contentment somewhere. Oddly enough, later that same month, an exact duplicate appeared on my doorstep, this one only a few weeks old. The same eyes, the same tail, the same silly habits and personality. The same fate, too, as it turned out, but that's a different story.
-- end --
Published in 1130 Club #4/5 (12/86).
Published in Year of the Twist (6/01).
Posted on writing.com (1/02).
dead guy blues
Jon and I were in a basement recording music, and some other people came over and made us go out for a drive. They all got pushed off a cliff somehow, so we went back to our recording.
Unfortunately, they came back, back from the dead, and they wanted to get in on the music. We knew that dead people couldn't sing, so we gave them drumsticks, and found that dead people have no rhythm either. Jon said they were no better when they were alive, and we were running out of Lysol. The jam decayed into the usual discussion of metaphysics.
We asked how it felt to be dead, they said they didn't know. But at least there was a life after death, that was good news. They said, "No, not really. We still have to get up and go to work in the morning."
So we screamed in six-part harmony and recorded it, until our throats broke and the sun came up angrily. There would be no royalties from this episode, no paying the bills, no feeding the Man; there would be only chaos and hypnotic confusion.
---
Published in "Absinthe" ed by Aurealia Nelson (XLibris, 2002)
Unfortunately, they came back, back from the dead, and they wanted to get in on the music. We knew that dead people couldn't sing, so we gave them drumsticks, and found that dead people have no rhythm either. Jon said they were no better when they were alive, and we were running out of Lysol. The jam decayed into the usual discussion of metaphysics.
We asked how it felt to be dead, they said they didn't know. But at least there was a life after death, that was good news. They said, "No, not really. We still have to get up and go to work in the morning."
So we screamed in six-part harmony and recorded it, until our throats broke and the sun came up angrily. There would be no royalties from this episode, no paying the bills, no feeding the Man; there would be only chaos and hypnotic confusion.
---
Published in "Absinthe" ed by Aurealia Nelson (XLibris, 2002)
Saturday, November 19, 2005
two quick shots
There are probably phones in hell. Everyone wants to make a call, but there are no good jobs, and the long-distance rate runs in the millions. The jobs are all things like Mudsucker, Flamekeeper, Burnt Flesh Collector, Executive Freak-Stabber, etc. The CEO's are all true demons, who jump from company to company filling their minions' heads will nonsensical dreams. The fact is, there is no hope at all; but if the workers knew this, they would stop showing up for work. (Some problems are universal.)
===
Somewhere there is a world, perhaps named Arraghk. All its creatures are slime. Slithering mucus with no hope of improving themselves. Yet slime naturally settles into layers, and the things in one layer argue over who is superior with the things on the layer below. An eternity of moronic burbling. So when the comet hits and blasts the sewage of their world into oblivion, the sound of molten silence is a considerable improvement.
===
Somewhere there is a world, perhaps named Arraghk. All its creatures are slime. Slithering mucus with no hope of improving themselves. Yet slime naturally settles into layers, and the things in one layer argue over who is superior with the things on the layer below. An eternity of moronic burbling. So when the comet hits and blasts the sewage of their world into oblivion, the sound of molten silence is a considerable improvement.
Tuesday, November 15, 2005
film & the great void
We finished filming "The Crawl" on the 4th of
July, and then the void set in. The thing was "done". Yeah, right.
Everyone else got to go home and forget about it. I had to capture 5
hours of video, find the best takes of every shot, and piece the whole
thing together.
Then I got busy with work (heap of random web jobs). Now there's a
rough cut, but we still haven't gotten together to watch it. We need to
arrange a half-day shoot to pick up some missing pieces, but now the
days are short and the place we filmed at rebuilt their front porch so
it won't match up.
Still, it can be done.
Not much writing news. A few shorts & poems published here
& there. Our writing group has gotten bigger but a bit less
organized. Some folks don't want to meet unless everyone is there, but
since we can't predict the future, all we can do is show up & see
what happens.
I've written a few new short stories & poems. Some wild stuff.
As time goes on, I'm discovering what I call the "fearless factor".
Writing should be fearless. It doesn't have to whomp on taboos or try
to offend people. It should say what needs to be said, without
withering and worrying. This was clarified recently when I was at
Killer Pizza from Mars, watching Robin Williams on "Inside the Actors
Studio", although he could not explain it either, he could only
demonstrate endlessly.
The very next story I wrote simply plowed ahead, defying logic, not
stopping to explain itself. And only that way could it have reached the
shocking ending. Had I wussed out along the way, it would have sunk
and gone nowhere.
Note from 2024: this was first posted to my AuthorsDen writing blog. The film would later be renamed "Vincent." We had fun showing it to people, and I had some DVDs for sale for a few years, but it never went anywhere.
battle of charlie's field
Rudolph Gram was playing horseshoes when he felt a twinge. Another practitioner was near!
He tracked the man down. It turned out to be his old nemesis, Hans Alvern of Bavaria.
The two sorcerers glared at each other across a Kansas corn field.
“Your foul worship ends here.”
“I do as I will. I am the Key and the Gateway.”
The world wasn’t big enough for these two ancient men.
Their battle lit up the midnight skies. When the dust settled there was a crater a mile wide, and the scent of popcorn stained the town for months to come.
====
published in FlashShot (2005)
He tracked the man down. It turned out to be his old nemesis, Hans Alvern of Bavaria.
The two sorcerers glared at each other across a Kansas corn field.
“Your foul worship ends here.”
“I do as I will. I am the Key and the Gateway.”
The world wasn’t big enough for these two ancient men.
Their battle lit up the midnight skies. When the dust settled there was a crater a mile wide, and the scent of popcorn stained the town for months to come.
====
published in FlashShot (2005)
Monday, November 14, 2005
day under punches
For some reason, kids like to punch. I spent the day getting whomped on at a children's party. It was the same bunch of kids as the last few years, but they've gotten older, and hit harder. It's kinda funny at first, whether it's getting hit by plastic balls or stuffed animals or hula hoops. Or little fingers grabbing chunks of hair. But kids get stuck in a loop, where they just keep doing the same thing over and over, long after it's not funny or cute anymore. So, whomp whomp. At one point we tried talking about pets, hoping to calm them down. One of the little girls explained how she liked to whirl her cat around over her head and whack it on the refrigerator. Someday, this person will grow up and some guy is going to marry her. Wow.
You know, if you treat them nicely, our pets just want to curl up next to us and keep us warm. We keep our kids at greater distance. Now we're in a madhouse where they can hit and we can't tap them back, even to get them back on track. Maybe one smack can get them off the Ten Step serial killer program. No. Unthinkable rave.
We can imagine the little punchers someday testing rockets or trying out for olympic events. Maybe stealing cars, who knows? Nature & nurture & all that jazz.
But it would be worse to have all the punch go out of them and find them packing bags at a grocery store, various flavors of little servants lost and used up like canaries in our mad-rush mostly virtual coal mine, little capacitors in our vast machine, losing a little steam every day.
---
real life?, 11/13/05
You know, if you treat them nicely, our pets just want to curl up next to us and keep us warm. We keep our kids at greater distance. Now we're in a madhouse where they can hit and we can't tap them back, even to get them back on track. Maybe one smack can get them off the Ten Step serial killer program. No. Unthinkable rave.
We can imagine the little punchers someday testing rockets or trying out for olympic events. Maybe stealing cars, who knows? Nature & nurture & all that jazz.
But it would be worse to have all the punch go out of them and find them packing bags at a grocery store, various flavors of little servants lost and used up like canaries in our mad-rush mostly virtual coal mine, little capacitors in our vast machine, losing a little steam every day.
---
real life?, 11/13/05
Sunday, November 13, 2005
fun with needles
It was an unremarkable day, until the needles came to life. They leaped out of a desk drawer and dug into my arms. I pulled them out and put them away. A few minutes later, they were back -- they dug in and pinned my shirt to my back.
This time they were a bit longer. I was trying to talk to the girl next door, holding the little daggers in my hand. I felt them squirming to get free ... would they hurt her or was I the only victim?
So far, no one else has seen the things in action. They rolled out of my fingers, sailed around the room like a pair of angry metal bees, then stabbed into my pocket with a shocking flare of agony. I let out a shriek, and the girl ran off without a second thought. The damned things wiggled deeper into my thigh. With a groan I yanked them out. It felt like I was uncorking a bottle of wine, except that it was my own blood that burbled out.
I ran out to the kitchen, found an old apple sauce jar, and dropped the gleaming needles inside. I screwed on the lid with precisely the twist that everyone else in the house complained that they couldn't open. The needles started dancing, pounding up and down. I could see them denting the metal lid. I ran down the hall, closed the door, laid a 2-by-4 across the bottom of the door ...
They came crashing through the window, javelins about 2 feet long. I put my arm across my face, and they dug in -- through the flesh and bones of my arm, straight into my eyes ...
===
(A dream from 2/20/95, unpublished.)
This time they were a bit longer. I was trying to talk to the girl next door, holding the little daggers in my hand. I felt them squirming to get free ... would they hurt her or was I the only victim?
So far, no one else has seen the things in action. They rolled out of my fingers, sailed around the room like a pair of angry metal bees, then stabbed into my pocket with a shocking flare of agony. I let out a shriek, and the girl ran off without a second thought. The damned things wiggled deeper into my thigh. With a groan I yanked them out. It felt like I was uncorking a bottle of wine, except that it was my own blood that burbled out.
I ran out to the kitchen, found an old apple sauce jar, and dropped the gleaming needles inside. I screwed on the lid with precisely the twist that everyone else in the house complained that they couldn't open. The needles started dancing, pounding up and down. I could see them denting the metal lid. I ran down the hall, closed the door, laid a 2-by-4 across the bottom of the door ...
They came crashing through the window, javelins about 2 feet long. I put my arm across my face, and they dug in -- through the flesh and bones of my arm, straight into my eyes ...
===
(A dream from 2/20/95, unpublished.)
Saturday, November 12, 2005
storm of doubts
once there was a dance, not a motion, not a random mindblank party. there was a meaningful togetherness without all the doubt questions & pain. now an empty car, lights on alone, prowling the streets, faces in beds looking up seeing ceiling -- no stars. one planet, one star, lost without the messages all the others shared. a full dinner, a whole day's work & an empty table. sad eyes & a spark keeping hard secrets. a town of shimmering lights behind a barbed-wire fence. a rock & a tree waiting at a bus stop, trying to get away. a man on a bench afraid of his own memories. every day, a taking away.
i stay sober & watch the wires. never know when a friend might notice me. try to fade away bored, they think i'm mad (angry?), don't come to talk, try to walk, they follow & bend the path. pointing saying "who is he?" & the whispers of attraction. as i sit saying "who am i?" & wait for another chance. something in the air, thinner than cigarette smoke, like indecision, random hopes, try to defy inhibitions without paying the price of confusion. come in, be with me, don't make noise outside so late at night; neighbors are crazy, never know when they will break. a hundred times, then i feel ignored, but continue, don't know who i am anymore. i opened a door, i opened my arms, a place to go, such an important thing, i tried to give it. taken happily, don't know where i stand, my heart is as empty as my wallet. nothing left to give.
patience can never be seen. love is just an echo of a yesterday that never existed. roads are endings, so i try to be funny as i starve. so many failures & incapacities suddenly. open window, cold wind, how does the song go? can't be parties every night, but how can i tell them to leave, afraid they would never come back, or fade to mere echoes, distorted by time. does it matter. we are rocks, islands, but we want to dive into the sea, see other rocks or drown trying; the waves can be brutal, errors smashing us into sand. the air trembles around my voice, imaginary sand, my voice trembles with questions.
the stress of reaching. trying to keep all reactions in balance, all anger left me years ago, yet i can still be hurt. can anyone explain mankind-womankind, some kind of insane molecule. point #1, look at obelisks on hillsides, look at ornaments carved in wood, names of lovers on old trees, humans see the world & feel they must change it somehow. anything to leave a mark. like people filling my mouth with words & not looking in my eyes, seeing a blank wall & buying spray paint, laying in a field & thinking there should be a table there, thinking every mountain needs a road to the top, living a sunset & trying to save it on film, crying at night like there was some way to avoid what we are.
i stay sober & watch the wires. never know when a friend might notice me. try to fade away bored, they think i'm mad (angry?), don't come to talk, try to walk, they follow & bend the path. pointing saying "who is he?" & the whispers of attraction. as i sit saying "who am i?" & wait for another chance. something in the air, thinner than cigarette smoke, like indecision, random hopes, try to defy inhibitions without paying the price of confusion. come in, be with me, don't make noise outside so late at night; neighbors are crazy, never know when they will break. a hundred times, then i feel ignored, but continue, don't know who i am anymore. i opened a door, i opened my arms, a place to go, such an important thing, i tried to give it. taken happily, don't know where i stand, my heart is as empty as my wallet. nothing left to give.
patience can never be seen. love is just an echo of a yesterday that never existed. roads are endings, so i try to be funny as i starve. so many failures & incapacities suddenly. open window, cold wind, how does the song go? can't be parties every night, but how can i tell them to leave, afraid they would never come back, or fade to mere echoes, distorted by time. does it matter. we are rocks, islands, but we want to dive into the sea, see other rocks or drown trying; the waves can be brutal, errors smashing us into sand. the air trembles around my voice, imaginary sand, my voice trembles with questions.
the stress of reaching. trying to keep all reactions in balance, all anger left me years ago, yet i can still be hurt. can anyone explain mankind-womankind, some kind of insane molecule. point #1, look at obelisks on hillsides, look at ornaments carved in wood, names of lovers on old trees, humans see the world & feel they must change it somehow. anything to leave a mark. like people filling my mouth with words & not looking in my eyes, seeing a blank wall & buying spray paint, laying in a field & thinking there should be a table there, thinking every mountain needs a road to the top, living a sunset & trying to save it on film, crying at night like there was some way to avoid what we are.
Friday, November 11, 2005
a cut above
reality is one of those moments when you really need a piece of scotch tape & goddammit the roll is empty & you fumble through desk drawers, ransacking your own house looking for any lousy transparent crap that's sticky on one side, but you slice your fingers on some old letter opener instead -- a dopey gift from some ex-girlfriend you never really cared about -- you never noticed it was so friggin sharp before & now you end up stomping down the hall to the bathroom leaving a trail of curses & blood, & you look in the mirror at some psycho with twitchy eyes & you feel another 6-hour standoff with police coming on.
luckily there's a pill for that. it's about the size of a slim jim & only about half as tasty. you tear into it, wolf it down like a berserk savage, then you find a band-aid, some duct tape that's not transparent but it's supposed to be able to fix anything, and some smooth old song from the 70's fills your once-disco brain as you straighten yuor tie, point at the mirror, give yourself your best Matt LeBlanc "how you doin?", have a nice generic brand breakfast & head off to work reborn again and again and again.
luckily there's a pill for that. it's about the size of a slim jim & only about half as tasty. you tear into it, wolf it down like a berserk savage, then you find a band-aid, some duct tape that's not transparent but it's supposed to be able to fix anything, and some smooth old song from the 70's fills your once-disco brain as you straighten yuor tie, point at the mirror, give yourself your best Matt LeBlanc "how you doin?", have a nice generic brand breakfast & head off to work reborn again and again and again.
Over-Interest
By making only the minimum payments on your credit card, it could take 3.6 million years to pay it off, and cost you at least one arm, a kidney, countless gallons of blood plasma, and all your children's children. Sanity will be measured by how high you jump when the phone rings. Do you cry out? Do you hide under your bed? Do you smash the phone with a sledgehammer? Packs of hounds chase you through forests of red and black tape, cash vs anti-cash, trapping you in a deep burrow. You can gnaw on roots and hope they go away, but their patience is infinite, their claws found you years ago and will not let you go. So feel the warm earth and be glad you are more or less "alive".
Future underwhat?
As a writer of sci-fi/fantasy/horror and dream journals, "Future underworlds" is a good summation. Looking forward, looking around, looking under the rocks at the side of the driveway ... and for a subdomain "unfuture" is my disturbed sense that the future is going to be a mess if we don't keep an eye on the chaos and the selfish elements.
Then again, the future is (as far as we can tell) unwritten. So every future we can think of is also an "unfuture", a thing that will never happen (until it does).
That reminds me of a helpful analogy for how we can tell a true infinite value from one that merely takes a long time to count. We're playing billiards now. A countable value is the number of words we hear muttered in the background while playing. An infinite value is touched in those moments when we're setting up a shot. We get glimpses of all the possible ball movements, all the possible outcomes, and we try to choose one that will win the game. A touch of the infinite. And then our hands usually find a way to screw it up. All those shots that never happened, those are "unfutures", forgotten a moment later.
Is it odd that we can almost visualize infinity, or is it natural that we navigate our way through infinities and somehow end up with a simple life, free of obstacles?
Thus the name(s).
;-)
Then again, the future is (as far as we can tell) unwritten. So every future we can think of is also an "unfuture", a thing that will never happen (until it does).
That reminds me of a helpful analogy for how we can tell a true infinite value from one that merely takes a long time to count. We're playing billiards now. A countable value is the number of words we hear muttered in the background while playing. An infinite value is touched in those moments when we're setting up a shot. We get glimpses of all the possible ball movements, all the possible outcomes, and we try to choose one that will win the game. A touch of the infinite. And then our hands usually find a way to screw it up. All those shots that never happened, those are "unfutures", forgotten a moment later.
Is it odd that we can almost visualize infinity, or is it natural that we navigate our way through infinities and somehow end up with a simple life, free of obstacles?
Thus the name(s).
;-)
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